Some themes are copied from the FFT audio track without being recycled while battle tracks and action music resemble a game that feels much softer than the FFTA. This is probably a target amount of AP accumulated for a given ability the character controls that ability so that the character can use it at any time no matter what items he provided and the work was chosen. Given that Ohkoshi has not created anything since then it is very likely that he was called to Hosoe office one day and received her P45 regrettable given the potential and talent she expressed here but it is understandable because Super Sweep only employs high productivity consistent and diverse artists which she was not at that time. The notes note a quotation from below that Mr. Uematsu was not completely satisfied with what he created here and it was a hassle to both feel what Matsuno thought as the Ames producer and matched Sakimoto own work in terms of musical maturity. The main audience who initially could attract this result can therefore not respond positively to the overall happy carefree yet sophisticated character of the soundtrack due to their collective morbidity. It is still quite thin and builds on a similar instrumentation to other tracks but has a completely different tone This is due to many dissonances some effective trombone and timpani use and Saso is so creative and inclusive development. In Final Fantasy Tactics Advance Iwata did not contribute to the score at all and although some were disappointing it was replaced by some not just one person but three people. The album contains the pieces of music in the game mainly composed by Hitoshi Sakimoto supported by Nobuo Uematsu Kaori Ohkoshi and Ayako Saso. The arrangement was arranged by Yo Yamazaki Akira Sasaki and Satoshi Henmi. Aside from corrections or minor text changes that may have been made in the text that I have not included notebooks CDs and music are the same as the original Squaresoft version. In particular the composition of Sakimoto and Saso is so creative appealing and mature that the score gets enough momentum inspiration and variation to perform extremely satisfying especially in relation to the Full Sound version.